NYFFW 2019 New York Feminist Film Week

The 2019 edition of the NYC Feminist Film Week is presented in partnership with WOMEN MAKE MOVIES.

The 2019 NYC Feminist Film Week presents its third annual film program committed to increasing the visibility of women and of all trans, non-binary, and gender non-conforming filmmakers. Our program aims to foster critical dialogue among filmmakers and the general public, using queer/trans/feminist approaches to interrogate cultural constructions of gender, sexuality, race, class, age, and dis/ability.

Organized around the ongoing theme of feminist film genealogies, the series asks the following questions: What might a genealogy of feminist film look like in its ethics and aesthetics? How do feminist film practices function as forms of political and critical intervention? What strategies do they employ to unsettle and dismantle racism, heterosexism, transphobia, classism, and stigmas around sexuality, illness, and dis/ability? And how do feminist film and media practitioners articulate queer, trans, POC, working class, immigrant, dis/abled, and other marginalized experiences and identities?

Inspired by international feminist film festivals like Cineffable and the London Feminist Film Week, the NYC Feminist Film Week focuses on the social and material aspects of filmmaking, placing feminist film production within specific historical and geographical contexts while also creating connections among films, filmmakers, communities, and audiences across space and time. This year’s program focuses on issues surrounding sexuality with a focus on pleasure as a feminist strategy for resistance and community building. The FFW’19 line-up thus celebrates the intertextuality of film while recognizing the unique contributions of feminist film pioneers alongside new and emerging filmmakers.

Here are the events which include my work (Carol and All In A Day’s Work) and face (DES!RE).

Tuesday, March 5

7:30 PM
Film Notes

Krissy Mahan in person.

SHAKEDOWN is the story of the Los Angeles black lesbian strip club scene and its genesis. Owned and operated by women, underground and illegal in nature, the club Shakedown is the darker, faster, younger iteration of this dance culture. SHAKEDOWN chronicles the explicit performances and personal relationships of the party’s dancers and organizers including Ronnie-Ron, Shakedown Productions’ creator and emcee; Mahogany, the legendary “mother” of the community; Egypt, their star performer; and Jazmine, the “Queen” of Shakedown. The documentary is preceded by Krissy Mahan’s animated parody CAROL, which uses DIY techniques and Fisher Price toys to deconstruct class dynamics in Todd Haynes’s film adaptation of Patricia Highsmith’s 1952 classic of lesbian literature, THE PRICE OF SALT.

Leila Weinraub
(2018, 72 min, digital)Preceded by:
Krissy Mahan CAROL (2016, 6.5 min, digital)

Thursday, March 7 7:30 PM
Campbell X has been a key reference in contemporary British queer cinema since their first feature film was released in 2012. A romantic comedy about LGBT life set on the multicultural streets of East London, STUD LIFE centers on the adventures of JJ, a Black lesbian stud, and her best friend Seb, a white gay man. Made in collaboration with various queer and POC London communities and including street slang and patois, Campbell X’s first feature proposes a daring Black queer aesthetic while evoking the early work of filmmakers like Cheryl Dunye and Spike Lee. The feature film will be shown along with the short DES!RE, a meditation on feelings of attraction for people assigned female at birth who now define as non-binary, gender non-conforming, trans, lesbian, bisexual, or queer.
(2012, 91 min, digital)Preceded by:
Campbell X DES!RE (2017, 9 min, digital

Friday, March 8

6:30 PM
Krissy Mahan and Patricia Silva in person.

This program explores the intricacies of community as a practice of individual and collective belonging, kinship, creativity, and desire. In TRANNY FAG, Claudia Priscilla and Kiko Goifman document the life and the work of Linn da Quebrada, a black transgender Brazilian singer whose political interventions span both music and activism. The documentary is preceded by the short film ALL IN A DAY’S WORK, where two working class queer bodies stand a little too close for (other people’s) comfort, thus exposing the institutionalized assumptions society projects on both bi+ and butch women.

Claudia Priscilla & Kiko Goifman
(2018, 75 min, digital. In Portuguese with English subtitles.)

Preceded by:
Krissy Mahan & Patricia Silva ALL IN A DAY’S WORK (2018, 10 min, digital)

Skip to content