LesbianLives2017 and Older Women Rock!

Wow! I had quite the UK run at the end of February. My parody of the Todd Haynes’ film “Carol” found a loving home on screens with the Women Over 50 Film Festival ON PARADE! It was shown at LesbianLives2017 and at the “OlderWomenRock” program, at the Quarterhouse_UK of CQ_folkestone
Here are some screenshots from the lovely and talented and hard working curator, Nuala O’Sullivan.
Screen shot 2017-03-12 at 8.34.28 PMScreen shot 2017-03-12 at 8.40.39 PM

NY Feminist Film Week

Poster for NYFFW
New York Feminist Film Week 2017 From 5 to 7 link
New York Feminist Film Week 2017 Anthology Film Archives link

Wotever DIY Film Fest unleashed a mighty force when they encouraged me to keep making Faggotgirl movies. I am humbled and thrilled to be part of the inaugural NY Feminist Film Week, and all the programs look amazing. My movie “…Until Justice Rolls” will be shown as part of the BODIES program on March 8, 2017 at 6:30 at Anthology Film Archives in the East Village in NYC. I will also be part of the Feminist Genealogies Roundtable discussion on Saturday, March 11 at 5:00pm.

“Carol” – in the style of Todd Haynes

imageThis will be shown as part of the Women Over 50 Film Festival in Brighton, UK October 1, 2016.

I didn’t like the Haynes’ film at all. No matter how many rain-splattered windows there are, and no matter how beautifully filmed with a surging cello score, the story being told is a schmalty snoozefest about white rich people behaving badly, that even it’s author was embarrassed to claim (Highsmith published it under a pen name). If it was about a straight white couple, it would be both boring amd offensive in its class politics. Like every other movie, no? I saw Haynes’ “Superstar: The Karen Carpenter Story” 15 years ago, and maybe it influenced my movie-making. So I am disappointed that he chose to make this earnest melodrama.

Press/Reviews/Fun. Autumn 2016

The IPF on 2016 Wotever Film Festival

Celebrating and prioritizing real accessibility at 2016 Wotever DIY Film Fest

Shoddy sensationalist press trying to discredit Scottish Queer International Film Festival for the festival’s porn workshop
http://www.theskinny.co.uk/sexuality/lgbt/sqiff-porn-tabloid-outrage

Nuala O’Sullivan on BBC for the Women Over Fifty Film Festival to be held on 1 October 2016 in Brighton, UK
http://www.bbc.co.uk/programmes/p047d2m6#play
(about 37 minutes in)

“Faggot Girl Gets Busy in The Bathroom”
Dir. Krissy Mahan, USA, 2016, 03:39
World premiere: Specially commissioned for WDIYFF 2016
We’ve been showing Krissy Mahan’s work since 2012 when Faggot Girl, Mahan’s disability-rights campaigning, alter-ego superhero, first burst on to our screens. Since then, Faggot Girl has crusaded relentlessly for greater accessibility for all body types, arguing that access is a queer issue. We’re delighted to commission Faggot Girl Gets Busy in the Bathroom for this year’s festival, in which our fearless hero/ine demonstrates why public bathrooms are a crucial frontier in the fight for equality (and can also be great spots to hook up in, too).

“Like A Riot”
Dir. Krissy Mahan, USA, 2016, 02.00
Krissy Mahan is back again this year with this wonderful short in which puppet Sophie Mayer hangs out with Campbell X’s puppet self. The two super heroes embark on a campaign to deal with the white, male overkill prevalent in the film industry. And what better way to incite a riot to the soundtrack of London-based punk band Big Joanie?”
( WWDIYFF 2016 program notes )

“Like A Riot” 2m
Dir. Krissy Mahan, USA, 2016
“Like anyone who grew up with the Muppets and Fraggle Rock, I have always wanted to have a puppet self. And of course I want my puppet self to hang out with Campbell X’s puppet self. Krissy Mahan has made it happen!” Dr. Sophie Mayer
( SQIFF 2016 program notes )

Can We Survive Mainstreaming?


Honoring police as grand marshals defies spirit of 2016 Philadelphia parade (petition)

As members of Philadelphia’s queer and transgender communities, we are writing in response to the decision by Philly Pride Presents to host GOAL (the Gay Officer Action League) as one of the grand marshals for this year’s Pride Parade. We are deeply concerned about the message this decision sends about which LGBTQ lives matter and the impact this will have on accessibility and safety at the Pride event for the members of our community most harmed by police violence. We urge the staff and volunteers of Philly Pride Presents to rescind their decision to make GOAL one of the grand marshals this year.

We believe that the honoring of GOAL is antithetical to the spirit and history of Pride, which grew out of the commemoration of the Stonewall riot — a riot against police violence — started by black and brown trans women and drag queens, who were then and continue to be the most vulnerable members of the LGBTQ community.

This choice is not only grossly ironic. It also participates in a revision of history that erases queer and trans resistance to state violence as well as the ways in which the majority of queer and trans people have had to literally fight for survival in a system that has used every mechanism, including and particularly policing, to marginalize and harm us.

It is our understanding that GOAL grew out of a desire to recruit LGBTQ individuals to the police force. We are aware that institutionalized and interpersonal workplace transphobia, homophobia, and racism harm LGBTQ police officers. We support all queer and trans people in their struggle for freedom from violence and oppression. However, we refute the notion that LGBTQ cops’ ability to be out on the job is a measure of our movement’s progress, when the police, as an institution, continue to carry out racist and transphobic violence.

Just last month, the Boston Pride Parade revoked the invitation for an openly gay police officer to serve as a grand marshal after it was discovered that the officer had written racist messages online shaming poor residents of Boston. As civil rights leader Fannie Lou Hamer said, “Nobody’s free until everybody’s free.”

In the midst of the #BlackLivesMatter movement, which affirms the value of black life and fights anti-black racism and police violence, choosing GOAL as the grand marshals for 2016 is a move that is at best privileged and isolated, and at worst directly undermines this critical work. It indicates a disturbing lack of awareness for the existence of marginalized queer and trans people of color and ignores both the symbolic and practical consequences of such a decision.

The Pride festival at Penn’s Landing is already financially inaccessible to many due to its entrance fee, but to literally place the police (gay or not) at the front of the parade through the gayborhood into the Pride celebration creates an environment that is unwelcoming and even unsafe for many members of our community. Additionally, it creates yet another barrier to accessing the critical resources available at Pride, such as free condoms, HIV testing, case managers, and information on community organizations for those who need them the most — including LGBTQ youth.

So, as the theme of this year’s Pride celebration is, “Are You Connected?” we ask the organizers of Philly Pride Presents: What connections do you value? For at least the second year in a row, the marshals and friends of the parade have been chosen from the same pool of people, primarily centered in Center City and City Hall. Yet Philadelphia does not lack for inspiring leaders who are creating a new vision for the future. We are fortunate to have LGBTQ communities full of people and organizations doing transformative work to improve the lives of LGBTQ people, to create more space for marginalized voices, and to work towards a world with greater freedom from violence for us all.

It is for these reasons that we cannot condone Philly Pride Presents’ celebration of an institution that continually targets queer and trans people of color with deadly state violence. Instead, as stated above, we urge the staff and volunteers of Philly Pride Presents to rescind this decision, as well as listen to and engage with members of our communities who are working to dismantle the root causes of violence and create a new future for queer and trans liberation.

Dean Spade is an Associate Professor at Seattle University School of Law and the author of “Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law.”
This talk was organized by the Department of Gender and Sexuality Studies at the University of California, Riverside. May 12, 2016

Spring 2016


Hi everyone who reads this!
This spring I’ve joined up with Put People First, grassroots organizers in Philadelphia (who are Pennsylvania state-wide) and I’m happy to be chipping in with their Media and Communications team. I am working with them on a year-long project to document the work of PPF and to support the Healthcare For All campaign.

I’m also blessed to enjoy some personal success (in these troubled times). I made the cover art for Dr. Rebecca K Givan’s book, published by Cornell University Press. IMG_3602

I’ve been working very hard on a remake of Todd Haynes’ film “Carol.” I hope it will premier in London this summer, and so I haven’t made it available yet.
I’m working on a couple new screenplays. I am moving on from Fisher/Price people and into puppets or marionettes, I think.
My movie “Until Justice Rolls” will be showing in Glasgow, Scotland soon. It will be in the curated program “Queers In The City.”
oliviaIMG_3308
I was so glad to attend this event sponsored by The Leeway Foundation. I was so happy to hear from five accomplished filmmakers, especially since they are and are making films about Black, Asian, Trans, and Middle Eastern women! How great is that!?
Leeway Foundation and Scribe Video Center present Smaller Screen, Greater Impact: The How and Why of the Web Series. Over the past several years, web series have become a viable alternative for filmmakers to share their stories. As this format creates new ways for aspiring and established artists to reach new audiences and have increased control of their voice, what new hurdles do they create? Join us as we take a look at webisodes on a larger screen (some for the first time ever!) and hear from the creators about writing, shooting, fundraising, and what they’ve learned throughout the process.

The panel features Hye Yun Park creator and star of Hey Yun; Jen Richards, writer, producer, and star of Her Story; Sara Zia Ebrahimi (LTA ’14, ACG ’11, ’09) writer and director of Bailout, activist; Tayarisha Poe (ACG ‘15,’ 14) writer and director of Selah and the Spades: an Overture; And activist, Sharron Cooks will speak about the media representation of transgender women. Moderated by Laura Deutsch (ACG ’10), Director of Education & Production at PhillyCAM.
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